From:
https://mereorthodoxy.com/why-we-should-jettison-the-strong-female-character
In some cases, pop culture producers play very directly to the
‘second screen’ and the social and political concerns and values of a
connected audience. Doctor Who—a science fiction series aimed
predominantly at children, but with an extensive and obsessive adult
audience—is an example of a TV show whose writers are frequently winking
through the window of the fourth wall. Episodes of Doctor Who over the
last few years have contained numerous pointed and typically gratuitous
references to contemporary socially progressive concerns such as
same-sex marriage, queer sexuality, transsexualism, and various feminist
themes. These references usually serve no ostensive plot purpose: They
are incongruous and odd, violating Chekov’s gun principle. They draw
attention to themselves in a way that often seems intentional and
preachy, seemingly calling for us to attend, while simultaneously
chiding us for paying attention to that which should be treated as
entirely natural and unexceptional. However inauthentic they may appear
on the ‘first screen’, though, they play very well on the second. The
intensification of the messages of such media has much to do with the
development of the spectacle they offer into a means of self-signalling
in the age of the internet, as audiences become more visible to
themselves within a spectacle of their own.
The question is – are the writers of (generally) high quality TV
and other mass media such as Doctor Who and Sherlock motivated primarily by
the artistic demands (which are conservative) – or do they fulfil the
artistic demands as a means to the end of inserting these ‘subversive’
moments of winking through the fourth wall?
Is that what primarily and
strategically motivates them as writers, and everything else is just
tactics to get people to watch and be influenced by these moments?
(Like TV executives for whom ‘good’ programming is merely a way of getting lots of people to watch the adverts.)
2 comments:
I think it depends on whether it's presented as experimental, or as the normal state of affairs. Doctor Who is mostly on one side of this divide; Sherlock on the other.
@AdamW - The writers are mostly the same, and I didn't see a great difference between these shows in this aspect of overt PC; and I have had to stop watching both of them.
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