While I still get intermittent great pleasure from music (as evidenced by my occasional postings here) there has certainly been a tremendous decline from the days of my teens and early early twenties, when music was probably second only to literature and ideas in its importance for my life.
By music, I mostly mean "classical" music; but folk music and various types of popular music and jazz were also of considerable importance.
For instance; in terms of performance, I sang classical music; but instrumentally I played mainly folk music; and for a couple of years, the rhythm and blues or soul type of pop. I also composed a few short tunes or songs in these genres.
For this decade (approximately) I would think about music A Great Deal, would make great efforts to listen (whether to recordings; or live concerts, and especially operas); and when I listened - I would sit and do nothing else; giving the music my whole attention (sometimes - especially with opera - I would read a musical score while listening).
I was continually expanding my musical experience, wider and deeper; and by experiencing different performers of the same music. I studied the theory and history of music; and engaged in many analytic and critical discussions with people more technically-expert than myself.
At peak (aged around twenty) I would be singing-acting solo roles in Gilbert and Sullivan, singing in two classical music choirs - one small "chamber" choir, of which I was co-founder and still exists; and the other other a large and well-regarded city choir; and playing in folk clubs.
As well as listening to tens of hours of music per week, and reading books on the subject - all this in my spare time from being a medical student.
Indeed; it was mainly my own many technical deficiencies that blocked me from an even greater engagement with music.
But - as it was - I was looking to music for something much more than entertainment; something that could justly be termed "spiritual".
I sought, and sometimes experienced, a very profound sense of aesthetic and mystical consciousness.
However, over the past few decades, this interest and engagement has ebbed substantially: both fading and narrowing.
I am now compelled to acknowledge that I have for years been living off the musical capital of my early life; although I have greatly enriched my appreciation of a few aspects.
In some ways I regret this ebbing; but mostly not - because the value of music was related to its being an inner and spontaneous drive.
And also because it was not so much a decline in music; as that music was displaced as a focus.
Music first began to be displaced as my focus by its other and greater rival - literature, also dating from early teens. As a young man; if there was anything I spent more time upon than music, it was literature.
And when I myself began active and practical "literary" work - when I began to write and publish (mostly "essays" - i.e. non-fiction of many kinds), in my late twenties; then this increased engagement with the written word naturally expanded to take-up a good deal of what mental focus had been occupied by music.
Later on, the "spiritual" role of music in my life also began to be replaced; as I got more and more motivated to think and write about spiritual, philosophical, and eventually religious matters.
In other words; from middle age I became consciously and specifically motivated to engage directly with ultimate "existential" matters; matters that I had previously (in adolescence and my twenties) engaged with mainly secondarily - and mainly via music.
I think this explains why I am no longer driven to the kind of intense and serious engagement with music that characterized my early life.
I still respond strongly to some music, albeit much less frequently; and I do not seek out such experiences with hard efforts.
But music doesn't have the spiritual-primacy it once did.
2 comments:
This is a fascinating blog post! Thank you. This kind of experiential journey is very compelling to read about.
What you wrote about living off your musical capital reminds me of Johnson's words: "Young man, ply your book diligently now, and acquire a stock of knowledge; for when years come upon you, you will find that poring upon books will be but an irksome task." Although you don't seem to have had that experience with literature at all, but rather with music.
It would be interesting to hear the specifics of your journey in this regard.
@Mal - I never needed anyone to tell me to ply books, or music, *diligently* - try stopping me, rather!
Of course, a lot of book plying at that age was studying textbooks and notes and the like, which was tough slog.
But the reading of literature needed no encouragement - except when I was supposed to read something I was not then inclined to read.
When I was doing my Eng Lit MA by research at Durham, I "audited" (attended and participated-in without doing the exams) a couple of final year BA seminars - and one of these was in modern novels. I had to read at least two of these per week; and I found it a kind of torture to force myself through novels I had not chosen by authors to whom I was indifferent or hostile; and to a deadline.
If I myself wanted to read a book, I would read for pleasure tough books like Burton's Anatomy of Melancholy, or Tristram Shandy - or Joyce's Ulysses (a few times).
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