James Herriot was an extremely popular author of the 1970s. He was a vet who wrote humourous books about his life ministering to farm animals and pets in Yorkshire.
The books were known by everybody, from about ten years onwards, and led to a tremendous growth in the demand for vet qualifications (to the point that now vets are paid less than school teachers), and a significant expansion in tourism in the Yorkshire Dales.
The books were also adapted (and quite faithfully!) into two movies, and a Sunday evening TV series "All Creatures Great and Small" which was probably the most popular and beloved British family drama of all time.
As well as their skillful writing and fascinating subject matter; one of the pleasures of reading James Herriot is the likeability and goodness of the actual man behind the books - whose name was Alf Wight.
As well as the evidence of the books themselves; my evaluation of JH's character came from the biography by his son, and a visit to the The World of James Herriot - museum in Thirsk, built in the real-life practice (actually serving the North York Moors, much more than the Yorkshire Dales).
I have found that, as I get older, my inference as to the ultimate personal quality of an author has become ever more important an element in my reading.
When I believe that an author is "a good chap" (or "chapess") then I am much more likely to enjoy and re-read; and when I beleive the opposite, I am increasingly unwilling to read, and likely to discard the volume into the rubbish bin.
In other words, I am less and less inclined to try and separate the author and the work - at the ultimate level.
This does not mean I expect a "good" author to have only what I regard as "good" opinions and behaviours; but it does mean that I choose to read those who I regard as deep down and primarily "on the right side".
And that I am less and less inclined to enjoy and seek wisdom from those who are, at bottom, against God, Divine Creation, The Good etc - even when such people may have considerable skill and surface appeal.
This has led to a good deal of re-evaluation and rejection, and a greater concentration upon relatively fewer individual writers.
It's not that I avoid Bad authors entirely - after all I continue to explore...
But once it has become clear that the character and intent behind the work is malign, I tend to quit swiftly; and move-onto something else more wholesome!











