The male and female principle in Jesus Christ and Mary Magdalene

For an idea of what I intend by the "male and female principles", see this book review and the quotations from Owen Barfield and DE (Doris Eveline) Faulkner Jones. A terse summary of their argument is provided by Faulkner Jones:

One might call the special gift of women 'creative receptivity', and it should be used in close co-operation with the 'creative activity' of men... An example of the harmonious working-together of the male and female principles in social life is medicine in the nineteenth century. New discoveries were revolutionising medical work when there emerged in Florence Nightingale a woman powerful enough to feel deeply, and comprehend fully, the importance of these discoveries and of medical work in general. It was through her work in founding and organising nursing as a profession for women that the new medical ideas, generated through the male creative intellect, could be applied beneficently and systematically, on a wide basis, to all the classes of the community. Without the steady, loving, systematised, daily and hourly attention of trained nurses, the most brilliant surgical or medical treatment would fail.

Of course I am here comparing the cosmically great reality of Jesus and Mary, with the micro-cosmically specific instance of the male founders of modern medicine and Florence Nightingale and her nurses. 

But I would like to suggest that Jesus was - inevitably - specifically a man, hence male - and therefore essentially engaged in "creative activity"; therefore in need of a woman and the female principle of "creative receptivity" in order fully to fulfil the potential of his work. 

In the Fourth Gospel (for my understanding and explanation of this scripture, see here) we have a vivid and human portrait of Jesus provided by an eye-witness; and it can be seen that Jesus's character is distinctively that of a man. Jesus is neither androgynous, nor a fusion of man and woman: he is archetypically male. 

By contrast, of the five episodes that feature Mary Magdalene; the first is the marriage feast at Cana, which I believe to be a (later redacted) version of the marriage of Jesus and Mary; but it provides no information as the bride's behaviour or character. 

However, the next four descriptions of Mary Magdalene all mention archetypically female, indeed wifely, behaviour: these are:

1. Mary weeping at Jesus's feet at the resurrection of Lazarus, her brother - expressing direct sadness and empathy for the here-and-now situation;

2. Mary anointing Jesus's feet in Bethany and wiping them with her hair - demonstrating her knowledge of Jesus's divine status, and a focus on the present moment - and "indifferent" to larger and abstract masculine issues such as "the poor". 

3. Mary's presence at the foot of the cross during the crucifixion: being-present, while Jesus dies, i sympathetic participation.

4. Mary's discovery of the empty tomb, and her later first-witnessing of the resurrected Jesus; Mary apparently visited the tomb alone, and with no functional purpose other than - again - to be there, to participate in Jesus's condition. When she meets, and then recognizes, the resurrected Jesus; she desires primarily to touch him - again, an archetypically female response to the situation.   

None of Mary's behaviours are surprising, but in their here-and-now immediacy and care, they do emphasise the contrast with Jesus's own "Big Picture" words and behaviours. 

Mary's behaviours emphasize too that "creative receptivity" which is missing from, and complementary to, and necessary to the completion of, the masculine creative activity of Jesus.

This is one reason why I consider that Mary Magdalene later became one of the dyad that is the Holy Ghost; our guide (masculine active creativity) and comforter (feminine receptive creativity). 

If I were to draw any tentative lessons from this analysis for this, our mortal lives; and for the ideal relationship between a man and a woman towards which we might strive; such lessons would be along the lines of understanding the ultimate and spiritual nature of these male and female characteristics.