Monday, 14 October 2019
Review of The Transmigration of Timothy Archer by Philip K Dick (1982)
The protagonist is a type that I thoroughly despise in real life: the 'trendy', leftist-radical, media-famous, apostate Christian bishop - indeed the central character was modelled on a real life example of the breed, who was apparently a friend of the author. However, such was the depth and multi-faceted nature of this book that my irritation took a second place behind my fascination at the issues and conflicts.
Although Dick was far more sympathetic to the Tim Archer character than I would have been - seeing him as a great man who did much good and whose quest was genuinely spiritual; overall the portrait is unsparing.
This includes the way that short-termist, hedonic, personal and selfish drives are retrospectively 'validated' by the intelligent and articulate (and legally trained) Archer; who fluently distorts philosophy and Christian theology into justifying whatever he currently wants to do. Also the ways in which the bishop is de facto a parasite upon the church in terms both of his status and also of lifestyle and financially.
Dick was a very smart and cerebral writer - in this respect much like Saul Bellow; there is a wide range of artistic and cultural references, and the engagement is sufficiently deep and sincere that the book comes-across as a genuine exploration (rather than a pretentious display of names). The novel doesn't merely discuss or talk-about, but actually does philosophy.
This is unsurprising given the extraordinary and frenzied nature of PKD's final years - during which he was continually grappling with spiritual and religious issues; reading, thinking, talking and staying-up through the night writing dozens of pages of exploratory philosophy - entirely for his personal reasons (not aimed at publication, although an edited selection of these writings was posthumously made available - in 2011 - as Exegesis).
Overall, this book succeeds in rendering the spiritual quest to know Jesus, to understand and practice Christianity, as a very exciting and supremely important business; a matter that grips and obsesses the characters. And this is surely a consequence of the fact that it was so for PK Dick himself - in late life.
Nobody - least of all Dick - would recommend anybody to emulate Dick's lifestyle and life choices, which were largely disastrous - but this books focus on important things. There is a relentless pursuit of truth, a sustained and repeated attention to primary questions... and these are of greater urgency now than when the book was written, since our culture has drifted so far into shallowness and despair, feeble motivation, brief-attention and gullibility.
Dick's attitude and world is only the start of wisdom for a person (a society) sunk in distraction and intoxication, but that is something we need now more than ever.
Tuesday, 7 November 2023
The question of "evidence" of life after death - from Philip K Dick
I feel as if I am channeling WmJas Tychonievich, in reporting this following (sort-of) "synchronicity" -- which is that immediately after writing my post on the question of evidence of God; I continued my re-reading of The Transmigration of Timothy Archer by Philip K Dick (1982), in which I came across the following (edited, and with my additional emphases):
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"Is there any proof of God's existence?" Bill said.Tuesday, 13 April 2021
Philip K Dick discussing the (Christian) self limitations of his character Angel Archer who was based-on Ursula Le Guin - from The Exegesis
From The Exegesis by Philip K Dick - written May 1981; section 79:1-81 (page 737) - The Exegesis was a private journal written in the last eight years of PKD's life (1974-82). Cuts are indicated by ...
Dick is discussing Angel Archer - the first person protagonist in his last novel The Transmigration of Timothy Archer (TTA), 1982 - who PKD reveals was based-on ULG. He had just finished TTA at the time of this writing, and (in this entry!) regarded it as his best ever work.
PKD and Ursula Le Guin were both in the class of 1947 at Berkeley High School, California but did not meet until later. They corresponded and had great mutual respect as leading US writers of fantasy and science fiction. ULG had at one time stated publicly that she feared for PKD's sanity.
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What I have shown [in TTA] is what the best intellectual mind - as correctly represented by a young Berkeley intellectual woman - can do and cannot do; it can go so far... but it can go no farther - as represented by her rejection of Christ (yes, Christ!) at the end: she walks away.
This is a penetrating analysis of the intellectual mind: what it can do (a very great deal and what it can't do (make the final leap). And she knows it.
This is what the "Bishop Archer" book is about about: Angel is a pure aesthetic intellectual, able to go so far but unable to make the final leap to Christ. Thus "Berkeley" (as paradigm of the intellectual, sensitive mind) is both lauded and stigmatized...
Thus one deduces the existence of the divine by its absence: the failure of her final leap (i.e. my meta abstraction)...
Bishop Archer as Bill calls to her but she does not hear. It is not reasonable. Angel fell short, missed the mark, and this is what constitutes sin, this falling short of the mark... What we are sure of is that although Angel came close she did not [make it]; thus I demonstrate the limits of reason.
What is needed is an orthogonal breakthrough, which I achieved (in 2-3-74 [i.e. February and March, 1974 - which led to writing the Exegesis]).
Ursula [Le Guin] is the basis of Angel: many virtues but in the end self-limiting.
The mind "knows" in advance what is possible and what is impossible: it is intelligent, rational, educated and tender; but it is not devout. It does not know how to capitulate to the impossible and accept it as real.
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Note from BGC: Here PKD diagnoses a very common problem among some of the best 'minds' of the past two centuries; and puts his finger on the reason.
Friday, 30 January 2026
We can never "know" completely and finally; but can Love wholly and eternally
Friday, 27 December 2019
Philip K Dick - an overview (so far...)
Although there are several of his important works still to go (I'm 'simultaneously' reading three of them at present) I think I have by-now achieved a reasonable overview.
In particular; I have noticed that his very best novels are from the 1960s, and before the spiritual revelations that began abruptly in February and March 1974, continued through the rest of his life - and led to his almost daily and extensive work recorded in the Exegesis - which was the attempt to make sense of what was happening to him, and understand the implications.
It seems to me that the novels published after 1974 are mostly interesting and worthwhile (especially VALIS), but they lack the fluency and coherence of Dick's best 1960s novels such as Man in the High Castle, Dr Bloodmoney, Three Stigmata of Palmar Eldrich, Do Androids Dream of Electric Sheep, Martian Time Slip and Ubik. In particular, the final two novels - Divine Invasion and Transmigration of Timothy Archer - are not satifying as a whole, and have a certain flatness and lack of empathic characters.
My conclusion is that Exegesis was receiving PKD's best efforts, and the attempts to spin-off novels from it were contrived, over-planned. VALIS is something of an exception, being composed of lightly fictionalised 'excerpts' from Exegesis - however, I did not find the ending satisfying, and I enjoyed the unselfconsciousness and energy of the original, more than the same material when put into fiction.
I feel that VALIS - by means of the literary conceits of its structure - erects a barrier of 'deniability' between the material and the reader. In particular, in all of Dick's last three works, the possibility of a genuine contact with the divine is put into brackets, and the materialist explanations seem to triumph overall. Whereas in the Exegesis, the most high intensity and ecstatic sections are without doubt those when PKD knows (albeit temporarily) that he has had real revelations of the truth.
Dick's mainstream critics and admirers, and most of his social circle, are normal modern Leftists for whom the divine is excluded by assumption; and who therefore necessarily interpret every strange experience as generated by insanity, drug use or over-imaginative wish-fulfilment.
(From what I have seen, so far) Perhaps only his friend, the author Tim Powers (a Roman Catholic) was able and willing to acknowledge that what Dick experienced included genuine divine revelations. And only when this possibility is recognised, can the Exegesis be appreciated as fully as it deserves.