The gradual process of understanding what made JRR Tolkien strange, unique, interesting, and creative

At the time of his death in 1973, not much was published concerning the nature of JRR Tolkien as a man - and a fair bit of what I knew and was publicly available was riddled with inaccuracies (e.g. William Ready's "Understanding Tolkien..." of 1969). 

I think that the present understanding of Tolkien emerged in a broadly chronological fashion, through four broad phases:

1. Historical

2. Philological

3. Roman Catholic

4. Tolkien as an unique genius 

The first major source of information was of an historical and biographical nature; especially the authorized biography by Humphrey Carpenter (1977) and the edited selection of Letters in 1981; and much has been added since, especially by Hammond and Scull's "Companion". This approach provides what might be termed Tolkien in his historical context. We learned such matters as the facts of Tolkien's life, marriage and family, his career, friends and colleagues, publication history of his works, the rise of his reputation. 

Although it had always been noted that there were influences in the Hobbit and Lord of the Rings that derived from his academic specialty; in 1981 came the seminal Road to Middle Earth, from TA Shippey. This (and further work since, from other scholars in the field) revealed Tolkien as philologist; and explained how the philological approach motivated and underpinned the fictional works. At this point we began to get a feel for Tolkien's inner life - because this way of working was distinctive to the particular tradition of scholarship of which he was so gifted an exemplar. 

From the 1990s, and especially through the work of Joseph Pearce; I began to become aware of a growth in scholarship that recognized JRR Tolkien as a devout Roman Catholic. This has since grown considerably, and it can be seen that there are many characteristically Catholic themes and perspectives throughout Tolkien's work. 

These three approaches all regard Tolkien mainly as an example of some broader category: man of his time and class, man of his academic speciality, man of his church. But perhaps it was not yet clear what made Tolkien his own unique self. 

It was after reading Verlyn Flieger's A Question of Time, and being stimulated to read Christopher Tolkien's History of Middle Earth that I began to develop some idea of his father's distinctive innermost nature. This is an extraordinary resource, and different people will respond to different aspects. Here I speak for myself. 

I began to feel an inner perspective when studying the very close-up and empathic exposition of the writing of Lord of the Rings. I was also affected by some of the factual material on particular characters and races - Galadriel, Morgoth, Sauron, the Elves, and others. 

But mainly, it was due to the semi-autobiographical qualities of the Notion Club Papers that I began to realize that Tolkien was an unusually inner-motivated person; exceptional in the strength and dominance of his imaginative life. 

Here were serious and engaged discussions of mystical, paranormal, supernatural and magical phenomena of many kinds - from personal experience, seemingly - and sometimes confirmed by Christopher Tolkien's notes.  

This domination by an inner perspective was, I think, the basis of Tolkien's genius; indeed, I then began to realize that this was a defining aspect of genius. 

For me at least; my understanding of Tolkien has traversed a great span. Starting from the rather dull, typically Oxfordish, reactionary, and narrowly-opinionated character of Humphrey Carpenter's evaluation...

And going all the way across the spectrum to my current picture of a man who experienced extremely strong inner drives, vivid imaginative pictures, powerful emotions, and extreme mood swings. 

Note: Cross-posted from my Notion Club Papers blog.